jleng: (other people)
Jean Louis Girard ([personal profile] jleng) wrote2018-04-04 05:20 pm
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optimisticalities: (( la dame aux camélias ))

[personal profile] optimisticalities 2018-07-10 11:30 am (UTC)(link)
[ He's one long row of expression, is Jean Louis, behind the flatness, is that the right word, Claude isn't sure, of his surface. There's a bout of semi-nervous energy hanging in the air between them as he runs his hand through his hair, the other steering the car through the night with an assertiveness that's nothing if not attractive. His smile soon takes on a certain degree of stiffness again, however, and like that it all changes back and forth, back and forth. It's such a natural parallel to draw for him, of course, but Claude also thinks it fitting. To call it a dance. Something choreographed, something stylized. They know their own patterns too well, he'd say. And they're not familiar with each other's just yet.

That's what this is. That's what this evening has been like.

He lets his own hands sink into his lap as he turns his head completely to look at the other man. Being as direct as he possibly can, because he's not here to put up smokescreens. It's been a good date, Claude has enjoyed it immensely. So much that he's actually considering just inviting Jean Louis up, get the banging out of the way and see what awaits on the other side, but it's a principal thing to him. He could easily sleep with Jean Louis, he could easily, but he won't. Because he's chosen another approach, one that he hopes will be a better fit in the long run. Whether Jean Louis Girard will mind having to stretch his legs a little, only time will tell, he supposes. ]


I try not to sleep with people on the first date - or the second or the third.

[ What he doesn't say: Do you still think I've got potential? Because. Does it matter? Instead he flexes his fingers where they're resting on his thighs, observing the lines of his hands contort and break up under the shine of another streetlight and another, though the suburbs look to have gone to bed already. They'll be at his place soon. ]
optimisticalities: (( sleeping beauty ))

[personal profile] optimisticalities 2018-07-10 12:10 pm (UTC)(link)
Not pointing fingers.

[ It's said with a slight smile in response to the tiredness that's sunk into Jean Louis' voice at the thought of not getting to take him to bed, not keeping his catch or whatever terms the man uses in the privacy of his mind to describe this particular process. At least he isn't judging him, like Claude has experienced with a couple of the guys he's met at In&Out, the city's only gay bar and a place he has come to avoid pretty vehemently. He isn't judging Jean Louis either, they can give each other that much at this point, Claude is well aware how many people surf through their dates in this manner and he accepts it, for lack of better, but he knows it isn't for him. Not anymore. Not after Rainier.

He needs more time to form the right picture. Like he told Jean Louis when the man contacted him, he wants to know what he's walking into.

They turn up the street where he lives in old Madame Traverse's loft's apartment at the far end of the road. There's approximately five minutes left, until he'll need to get out of the car and return to his ordinary life that doesn't take much inspiration from fairy tales and Disney. Aston Martin carriage rides sure aren't a part of the package come morning. Carefully, Claude leans to the side a little, just enough to be able to reach the other man's leg when he stretches out his arm. He places a soft pat against his knee, keeping far out of any dangerous zones, staying within the boundaries of common friendliness. He doesn't take any liberties and he doesn't make any assumptions. It's just that - a pat on the knee. A fleeting intimacy. Contact. ]


I've had a really good time, though, so... [ An only slightly awkward pause. ] I'd be glad to hear from you again.
optimisticalities: (( les bourgeois ))

[personal profile] optimisticalities 2018-07-10 12:52 pm (UTC)(link)
[ Claude draws back as quietly and unassuming as he leaned forward - and it somehow fits the way that Jean Louis in turn makes no promises, no lies, no falsehoods, just a simple I'll remember and Claude's smile widens a fraction for a moment, until it's its usually broad, white self. All teeth and curving lips. He nods at the other man once and gets out of the car with an unpretentious elegance, feet finding the ground easily and keeping his balance with a certain strength, a certain grace. You're not only a ballet dancer at the barre, you're a ballet dancer every step of the way.

In the darkness, the three-storey house that Madame Traverse rents out looks abandoned, old and unused. Currently, only he and the Madame herself live there, she on the ground floor, he up under the ceiling. At the edge of his mind, he wonders what Jean Louis' unfit apartment must look like in comparison. The man isn't hiding the fact that he uses money as toilet paper and yet, for some reason, it doesn't actually bother Claude's sense of justice very much. Not this time. There's something about Jean Louis that gives him a feeling that his small luxuries are well deserved, in the end.

Once he reaches the door, he turns around only to find the Aston Martin still parked at the curb. He gives the illuminated windshield a wave, although he can't actually make Jean Louis out behind it as anything other than a dark blob, knowing the other man will see it. Maybe he'll take it with him home and he won't have to look so desperately for company tonight. Meanwhile, Claude opens the door to total darkness, total silence and total lonesomeness. ]